Armourcoat has led the world developing polished plaster, sculptural effects and high performance surface finishes since 1986.

Now a global brand operating in over 70 countries, we are committed to technical excellence. With an outstanding product range featuring recycled material and low VOCs, Armourcoat remain at the forefront of sustainable decorative surface solutions.

Blog by Armourcoat Group Marketing Director Daniel Nevitt.

The views expressed are those of the author and do not necessarily represent the views of, and should not be attributed to, Armourcoat Ltd.


Friday, 13 February 2015

New Rusteel® - decorative ‘rust’ effect

Armourcoat will introduce a new metal rust finish at the Retail Design Exhibition in March.  The Rusteel® finish offers an authentic rusted iron or patina effect, creating an aged, weather-beaten, metal surface.


This time-worn finish similar to weathering (or Corten) steel is created from a water-based paint with metal particles which naturally tarnish when activated.  A sealer coat is used once the desired effect is achieved and provides a further protective layer.  The finish is available exclusively through the ArmourFX modular panel system.


The ArmourFX range of panels has evolved from Armourcoat’s renowned applied seamless wall finishes.  Armourcoat's specialist designers and artisan plasterers can create integrated custom wall panel systems or design statement single artwork pieces.  The prefinished panels offer a rapid installation with ease of handling, and are ideal for projects under tight deadlines for completion.

Visit Armourcoat at stand H50, Retail Design Exhibition, 10-11 March, Olympia, London.  For more information visit www.armourfx.com.


(C)Apache Studios.  Lighting: 'Hooked 3.0 Nude' Buster+Punch, Chair: 'Wingback' by James UK

Thursday, 22 January 2015

Sergey Makhno






Tuesday, 20 January 2015

MosBuild Interview with Armourcoat Marketing Director Daniel Nevitt




Q. When did Armourcoat first enter the Russian market? What made you decide to take the plunge?

A. We’ve been very fortunate to work in the Russian market for a decade now, with the same partner – Studio A Dekor - in Moscow.  We met in Riga, a fortunate introduction via our Latvian partner, and our relationship has been very successful, growing and strengthening over the years.  Our products demand a specific sales strategy which places great emphasis on professional installation.  Armourcoat wall finishes are hand applied and can be customized for specific clients, seeking high-end luxury decorative effects.  We were lucky to meet a company who shared our ideals.

Q. How do you operate in Russia – do you have an office there, or do you use a network of distributors?
A. Studio A Dekor oversee the Armourcoat operation across Russia.  They act as our master distributor in Moscow, managing and training a network of professional applicators in all key cities in the country.  In addition, they work directly with the UK office on country specific sales and marketing initiatives – including our presence at MosBuild.

Q. How did you go about finding and forming relationships with your Russian partners?


A. We rely heavily on Studio A Dekor to identify, train and support the applicator network.  This emphasis on empowering local business has been key to Armourcoat’s success in numerous international markets.  In Russia, the network also assists with regional trade events for architects and designers, and supports our growing exhibition programme. In addition we regularly visit these network associates to offer ongoing training, discuss sales strategies and introduce new products.

Q. What are the main challenges of operating in the Russian market?

A. Current trading conditions have created barriers to our operation, particularly with currency fluctuations, and we are working creatively to best overcome these issues. Generally the sheer size of the country presents challenges.


Q. How do Russian and European interior tastes differ, in your experience?

A. I would view Russian design tastes as classical with a focus on surface detail and ornate finishing.  Modern industrial inspired interior design is a recent European trend, with the use of ‘concrete’ urban styles, making its way East.

Q. Your company recently exhibited at the BakuBuild exhibition in Azerbaijan. What was it about the country that attracted you?

A. We had just appointed a new partner in Azerbaijan, TriasDecor, and used BakuBuild and the opening of their new showroom as a springboard to launch Armourcoat.  Our finishes have been specified on a range of developments in Baku, and the appointment and launch were very timely.  Baku is an oil rich city with some stunning modern architecture. Armourcoat is a high-end brand and we are confident that there is a commercial and residential market for us in that city.

Q. Could you apply your experiences of working in Russia to your new territory of Azerbaijan?


A. In the same way, we have been fortunate to find the right people in this market.  Our local team in Baku are very professional, and I’ve been highly impressed by their business approach. We are a company that focuses heavily on the personal relationship and on driving value and quality. We will act the same with our new Azerbaijan partners as we do with all our friends and associates worldwide.

Q. What are the most notable projects you have been involved in Russia and Azerbaijan?


A. Armourcoat work with a number of high profile clients in numerous sectors, particularly in hospitality and retail.  Most notably we have completed projects for Louis Vuitton, Cartier, Mulberry, Chanel, Van Cleef and Arpels.  We are also working on opportunities in the new Trump Hotel in Baku.



Q. Your company operates in over 80 countries, so you are well versed in expanding into new markets. How do you generate new leads when you move into a new territory?

A. For most new markets we work closely with government and trade organisations such as UKTI and BCFA for financial support and market information.  We normally commission an OMIS (Overseas Market Introduction Service) report through the British Consulate to seek out potential partners and key individuals within the A&D community.  In support of this, participation within trade shows is still by far the best means of analysis – offering a snapshot of the active market; revealing potential partners, competitors and customers. We generate leads through entertainment, presentations, advertising and even competitions. These activities are focused on the architect and designer who are always looking for new products and inspirations. We offer that attraction to them in a new territory and Armourcoat's outstanding pedigree never fails to impress.

Q. You have exhibited at the MosBuild building and interiors show for six years now. How has taking part in trade shows helped you do business in new markets?

A. Armourcoat products are best demonstrated at trade shows.  Whilst we place great emphasis on our web presence, with the world economy rapidly improving, exhibitions are gaining momentum again.  You can’t beat meeting personally and directly with your target audience.  People buy from people.  From an international perspective, it provides added assurance and customer confidence to meet principals from the organisation and discuss creative projects and design concepts.




Monday, 5 January 2015

Online AIA CEU (Continuing Education Unit)

Our new online AIA CEU (Continuing Education Unit) article written by architect Peter J. Arsenault (FAIA, NCARB, LEED AP) has been published on the Architectural Record website. Entitled 'Pre-Finished Modular Plaster Panels', the article focuses on the ArmourFX custom pre-manufactured products which offer cutting-edge interior design options.

In the USA, design and construction professionals earn AIA Continuing Education learning units by reading designated articles, and answering test questions at the end of each course. The course earns 1.00 LU (Learning Unit).

http://continuingeducation.construction.com/article.php?L=438&C=1291



Tuesday, 17 June 2014

Eye of the Storm II

Photography of Steuart Padwick's highly original ‘Eye of the Storm’ table. This concept design, made from Ductal® Ultra-High Performance Concrete (UHPC), was launched at Clerkenwell Design Week in May.


Wednesday, 28 May 2014

‘Eye of the Storm’ Ductal® Table



We were delighted to collaborate with UK furniture designer Steuart Padwick on the ‘Eye of the Storm’ table.  This highly original concept design, made from Ductal® Ultra-High Performance Concrete (UHPC), was launched at Clerkenwell Design Week in London last week.

Multi-award winning designer Steuart Padwick is known for his warm, witty and sculptural furniture, with sleek lines and his trademark attention to leg design.  The Sunday Times recently named his 'Legs Crossed' dressing table as number 24 in the ‘100 Design Must-Haves for the Stylish Home’.


Steuart commented on the project; “This collaboration began with a chance meeting with Armourcoat at Design Shanghai in March.  I was immediately excited by the enormous potential of Ductal and it gave me the idea to create a table that showed off Ductal’s properties, and yet was a dramatic piece of furniture in its own right. It has been a pleasure working with Armourcoat and I think, together we have produced something wonderful”.

The 'Eye of the Storm' table shows how Ductal® is ideally suited to furniture design, allowing unusually thin sections with an outstanding level of surface finish detail.   Its strength and durability is even greater than natural stone.

Ductal® possesses a unique combination of superior properties including strength, ductility, durability and enhanced aesthetics. It can also be pigmented to a wide range of colours. This enables designers to realise new sculptural approaches to concrete forms.  Armourcoat hold the first sublicence to manufacture Ductal® precast elements in the UK.